Polite Chaos

Crafting Digital Worlds with a Bit of Mischief

Showreel frame

Featured Work

From motion to concept, pieces born from quiet sketches, late nights, and just the right amount of chaos.

They didn’t just redesign our website, they redefined how we talk about ourselves. Every animation, every frame, felt like it actually understood what our brand was trying to say.

Noah Keller

Voxel & Company

Working with them felt more like an art residency than a project. They listened, challenged us, and turned half-formed ideas into something that actually moved people.

Lina Duarte

Studio Valea

Their sense of timing and motion design is ridiculous in the best way. It’s like everything they touch ends up looking intentional, alive, and a little bit unpredictable.

Kenji Mori

Framefield

We came to them for a quick rebrand and left with a full-on visual identity system. It’s rare to find a team that mixes that level of craft with this much curiosity.

Amara Singh

Lumenwave

They have that weird ability to make complicated ideas look effortless. What started as a motion study turned into one of our most talked-about campaigns.

Felix Turner

Orbit Labs

From day one, they treated the project like a shared experiment. We threw chaos at them and somehow they made it beautiful. That’s their real magic.

Isolde Rey

Northshore Films

Hyperreal

Fragmented

Softcore

Motion

Part of the collective

Polite Chaos is connected to The Noise Network, a collective of studios exploring digital art as emotion, motion, and code.

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Secret Department

We like to think we build order out of chaos, but it’s usually the other way around. Every project starts as a mess of sketches and motion tests.

If something feels too polished, we probably broke it on purpose and rebuilt it slightly wrong, just enough to feel human.

Read the theory